Monday, 6 July 2020

Illustrations by Victorian women artists for books/ magazines in the BM de Beaumont collection and in the British Library




Compiled by Edmund M B King

July 2020


Jane E. Benham
BM P&D reg. no: 1996,1104.24 Longfellow, Henry Wadsworth. Evangeline: A Tale of Acadie. Illustrated with forty-five engravings on wood, from designs by Jane E. Benham, Birket Foster, and John Gilbert. London: David Bogue, 86, Fleet Street, 1850. London: Henry Vizetelly, Printer and Engraver, Gough Square, Fleet Street. vii, 102p. The illustration on page 1 is after Myles Birket Foster and is engraved by Henry Vizetelly.

BL 11688.g.22. Longfellow, Henry Wadsworth.  Evangeline. A Tale of Acadie. Illustrated with forty-five engravings on wood, from designs by Jane E. Benham, Birket Foster and John Gilbert. London: David Bogue, 86, Fleet Street, 1850. London: Henry Vizetelly, Printer and Engraver, Gough Square, Fleet Street. vii, 102p.

BL 11686.e.36. Longfellow, Henry Wadsworth. Voices of the night; the seaside and the fireside; and other poems. Illustrated with sixty-four engravings on wood from designs by Jane E. Benham [i.e. probably Jane Benham Hay], Birket Foster, etc. London: David Bogue, 1852.  Henry Vizetelly, Printer & Engraver, Gough Square, Fleet Street


BM reg. no. 1992,0406.176 Longfellow, Henry Wadsworth. Evangeline: A Tale of Acadie. Illustrated with forty-five engravings on wood, from designs by Jane E. Benham, Birket Foster, and John Gilbert. London: David Bogue, 86, Fleet Street, 1854. The illustration on page 9 is after Jane E. Benham and is signed with her monogram.
BM reg. no. 1992,0406.179 Longfellow, Henry Wadsworth. Poems. Illustrated with upwards of one hundred engravings on wood from designs by Jane E. Benham, Birket Foster, etc. London: David Bogue, 86, Fleet Street, 1852.  London: Henry Vizetelly, Printer and Engraver, Gough Square, Fleet Street. Xi, 334p.
BL C.109.b.3. Longfellow, Henry Wadsworth. The golden legend. Illustrated with fifty engravings on wood, from designs by Birket Foster and Jane E. Hay. Bogue, 1854.  In the ‘List of Illustrations’, those by Benham are on pages: 30, 46, 49, 88, 93, 95, 103, 105, 114, 126, 129, 147, 182, 201, 206.

Illustrations by Adelaide and Florence Claxton


Claxton - Illustration in Books

BM P&D reg. no. 1992,0406.261. Pictures of Society, Grave and Gay. Sampson Low, 1866. Illustrations of Adelaide and Florence Anne Claxton engraved by the Brothers Dalziel. 
BM P&D reg no. BM 1992,0406.393. Watts, Isaac. Divine and Moral Songs for children. Nisbet, [1867]. Illustrated in the new graphotype engraving process by several artists, including Florence Claxton, M. E. Edwards [i.e. Mary Ellen Edwards], etc., etc., under the superintendence of H. Fitzcook [i.e. Henry Fitzcook].

Claxton - Illustrations in Magazines

BM P&D reg. no: BM 1992,0406.201 (a) The Churchman's family magazine containing contributions by the clergy and distinguished literary men. With upwards of seventy illustrations by C.W. Cope, R.A.; J.E. Millais, A.R.A.; J.D. Watson; J.C. Horsley, A.R.A.; George Thomas; H. C. Selons; L. Huard; H.H. Armstead; F.R. Pickersgill, R.A.; T. Sulman; P.W. Justyne; H.S. Marks, and others. Vol. I. London: James Hogg, 1863. The other illustrators given in the ‘List of Illustrations’ are: Charles Green, E. J. Poynter, T. Morten, J. Hayter, D. H. Friston, W. P. Burton, J. B. Zwecker, Robert Barnes, R. Hind, Thomas Kennedy, A. Claxton, T. Macquoid, William Harvey, William Mc Connell, Rebecca Solomon. The engravings are signed by Swain, W. Thomas, H. Harral, Dalziel.

BM P&D reg. no. 1992,0406.201 (b) The Churchman's family magazine containing contributions by the clergy and distinguished literary men. With upwards of seventy illustrations.  With illustrations by Frederick Sandys; E. H Corbould; W. P. Burton; F. R. Pickersgill, R. A.; M. Ellen Edwards; T. B. Dalziel; E. H. Wehnert; Alfred W. Cooper; M. J. Lawless; P. W. Justyne; E. Armitage; H. C. Selous; Marshall Claxton; T. Morten, and others. Vol. II. London: James Hogg, 1863. The illustration on page 221 is after Marshall Claxton (father of Adelaide and Florence), captioned: “It is very hard to wait”, Mabel said to herself, “and silence is very cruel in love.”

BM P&D reg. no. 1992,0406.206 (d) Good Words for1864. Edited by Norman Macleod, D. D. And illustrated by J. E. Millais, John Tenniel, Frederick Walker, Robert Barnes, G. J. Pinwell, R. P. Leitch, Arthur Hughes and others. London: Alexander Strahan and Co., 32 Ludgate Hill, 1864.  The plates are separate from the text throughout. The illustration facing page 840 is after Florence Claxton, captioned: “They cry. ‘Peace, Peace, when there is no Peace.’”

-         facing page 107, captioned: “Ye Spring Fashions.”
-         facing page 209, captioned: “London Societies: No. I. Society for the Practice of Part Singing.”
-         facing page 341, captioned: “The Balcony at ‘The Trafalgar.’”
-         facing page 378, captioned: “London Societies: No. II. ‘The Artists’ and Amateur Society.’ A Conversazione at Willis’s Rooms.”
-         facing page 433, after Adelaide Claxton, captioned: “The Governess.”

BM P & D Register no: BM 1992,0406.210 London Society. An illustrated magazine of light and amusing literature, for the hours of relaxation. Volume II. 1862. London: [William Clowes] Office, 49 Fleet Street, E. C. The plates are separate from the text. [The list of] Engravings cites the artists: M. J. Lawless, G. du Maurier, J. D. Watson, D. J. Anderson, R. Barnes, William McConnell, W. Crane, A. B. Houghton, A. W. Cooper, F. Claxton, H. Sanderson, F. J. Skill, E. J Poynter, Frank Wyburd, C. H. Bennett, E. K. Johnson, Waldo Sargent, George Thomas, J. E. Millais, C. A. Doyle. Several of the plates are engraved by: “W. J. Linton”. In this volume, there are three illustrations after Florence Claxton:
-         facing page 30, captioned: “The Artist at Flower Shows: No. I. Rival Roses.”
-         facing page 289, captioned: “How Croquet came to Holcroft.”
-         facing page 339, captioned: “On the Gallery stairs: A Shilling Day.”

BM P&D reg. no. 1992,0406.211 (b)
London Society. An illustrated magazine of light and amusing literature, for the hours of relaxation. Volume V. 1864. London: [William Clowes] Office, 49 Fleet Street, E. C. The plates are separate from the text. In the [list of] Engravings, there are:
-         facing page 6, after Florence Claxton, captioned: “No Admission under £300 per annum.”
-         facing page 178, after Florence Claxton, captioned: “Society on its Feet.”
-         facing page 320, after Adelaide Claxton, captioned: “An April Fool.”
-         facing page 320, after Adelaide Claxton, captioned “Mrs. Honiton gives her hand to Perkins.”
-         facing page 462, after Adelaide Claxton, captioned: “A Modern Masquerade.”

BM P & D Register no: BM 1992,0406.211 (c)
London Society. An illustrated magazine of light and amusing literature, for the hours of relaxation. Volume VI. 1864. London: [William Clowes] Office, 49 Fleet Street, E. C. The plates are separate from the text. In the [list of] Engravings, there are:
-         frontispiece after Adelaide Claxton, captioned “Seven flats!”, and accompanies the poem of the same title by Eleanora Louisa Harvey.
-         facing pages 289, 293, after Adelaide Claxton, captioned: “Wanted – A Wife with Money.”
-         facing pages 481,489, after Florence Claxton, captioned: “The Story of Noel Rushleigh’s Wedding.”

BM P & D Register no: BM 1996,1104.27
London Society. An illustrated magazine of light and amusing literature, for the hours of relaxation. No. 26 February 1864. London: [William Clowes] Office, 9, St. Bride’s Avenue, Fleet Street. The plates are separate from the text. The illustrators are printed on the half title page:  T. Morten, Wm. McConnell, E. F. Weir, Phiz [i.e. Hablot Knight Browne], E. M. Wimperis, M. Ellen Edwards, J. Sanderson, George M. Thomas, Florence Claxton, C. A. Doyle. The illustration facing page 178 is after Florence Claxton, captioned: “A Chat about Valentines.”



BM P&D reg. no. 1992,0406.216 (b) The Quiver. [An illustrated magazine of social, intellectual and religious progress. Volume II. London: Cassell, Petter, and Galpin, Ludgate Hill, E. C. and 196 Broadway, New York. 1866- 1867.] 832p. No separate plates. The issues in this volume are from Saturday, September 22, 1866 to Saturday September 14, 1867. The illustration on page 689 (the issue for Saturday July 20, 1867), is after Edith Dunn, captioned “Willie became thoroughly absorbed in the service. – p. 691.”, accompanying the story: “The organ-blower”, by Dash Blank [pseud.?].

BM P&D reg no. BM 1992,0406.216 (d)
The Quiver. [An illustrated magazine of social, intellectual and religious progress. Volume IV. London: Cassell, Petter, and Galpin, Ludgate Hill, E. C. and 196 Broadway, New York. 1868- 1869.] 832p. No separate plates. The issues in this volume are from Saturday, October 10, 1868 to Saturday, October 10, 1869. The illustrations are signed variously: “W. Thomas”. The illustration on page 617 is after Edith Dunn, is signed with her initials bottom right, and is captioned:  “Bonnie Katie McKelvie, crouched behind the rock. – p. 621.”, accompanying the story: ““Lost” a true story”, by J. Hering.


Mary Ellen Edwards

Dictionary of Nineteenth Century Journalism

Illustration in Books

BL 11657.g.14. Proctor, Adelaide Anne. Legends and lyrics. With an introduction by Charles Dickens. Illustrated by W. T. C. Dobson [i.e. William Charles Thomas Dobson], A.R.A., Samuel Palmer, J. Tenniel [i.e. John Tenniel], George H. Thomas [i.e. George Housman Thomas], Lorenz Frohlich, W.H. Millais [i. e. William Henry Millais], G. Du Maurier [i.e. George Du Maurier], W.P. Burton, J.D. Watson [i.e. John Dawson Watson], Charles Keene, J.M. Carrick [i.e. John Mulcaster Carrick] M.E. Edwards [i.e. Mary Ellen Edwards], T. Morten [i.e. Thomas Morten]. Seventh edition. George Bell and Sons, 1879.
BM P&D 1992,0406.110 Gatty, Margaret. Parables from nature. By Mrs. Alfred Gatty. With notes on natural history, and illustrations by C. W. Cope, R.A. [i.e. Charles West Cope], H. Calderon [i.e. Philip Hermogenes Calderon], W. Holman Hunt [i.e. William Holman Hunt], Otto Speckter, G. Thomas [i.e. possibly George Houseman Thomas] and E. Warren, Lorenz Frölich, W. B. Scott [i.e. William Bell Scott], E. B. Jones [i.e. probably Edward Burne-Jones], Harrison Weir [i.e. Harrison William Weir], John Tenniel, Joseph Wolf, W. P. Burton [i.e. William Paton Burton], M.E. Edwards [i.e. Mary Ellen Edwards], and Charles Keene. London: Bell and Daldy, 186, Fleet Street, 1865.
BL 11651.k.7. Jewry, afterwards Valentine, Laura. The nobility of life, its graces and virtues, portrayed in prose and verse by the best writers. Selected and edited by L. Valentine. With twenty-four original pictures printed in colours, elaborate borers, headings, and vignettes. Frederick Warne and Company, Bedford Street, Covent Garden, 1869. The artists who drew the twenty four colour illustrations are: John Dawson Watson, Henry Le Jeune, Charles Green, Francis Walker, Henry Courtney Selous, Edward Duncan, Edward John Poynter, James Mahoney, Alfred Thompson, Mary Ellen Edwards, Henry Warren, Frederick John Skill, Alfred  W. Cooper, Edward Henry Wehnert. The illustrations were rendered into colours by Edmund Evans, Kronheim & Co. 

BL 11651.k.3. Baynes, Robert Hall. The Illustrated Book of Sacred Poems. Edited by the Rev. Robert H Baynes M.A., Vicar of S. Michael, Coventry, Editor of “Lyra Anglicana,” &c. Illustrated by J.D. Watson [ i.e. John Dawson Watson], H. C. Selhous [i.e. Henry Courtney Selous], E. M. Wimperis [i.e. Edmund Morison Wimperis], H. Pixis, M. E. Edwards [i.e. Mary Ellen Edwards], R. P. Leitch [i.e. Richard Pettigrew Leitch], W. Small [ i.e. William Small], R. T. Pritchett [i.e. Robert Taylor Pritchett], T. Macquoid [i.e. probably Thomas Robert Macquoid], J. W. North [i.e. John William North]. London and New York: Cassell Petter and Galpin, 1867. The illustrations after Edwards are:
-         page 4, illustration accompanying the poem: “Out of Light”, by Elizabeth H. Whiteman.
-         page 177, illustration accompanying the poem “Work and Rest” by E. D. H.
-         page 213 illustration accompanying the poem “The Mother’s Prayer”, by Nicholas Michell
-         page 324, illustration accompanying the poem “What might have been”, by Sophie Frances Fane Veitch.

BM P&D reg. no. 1996,1104.33 Pennell, Harry Cholmondeley. The Family Fairy Tales; or Glimpses of Elfland at Heatherston Hall. Illustrated by Ellen Edwards.  London: John Camden Hotten, Piccadilly, 1864. 5 plates. The frontispiece shows a domestic family interior, of a mother (standing, with her back to us), father (seated in a chair), and six children. The plates are signed: “H. Harral Sc.” [i.e. Horace Harral].

BM P&D reg. no. 1992,0406.106 Foxe, John.  The Booke of Martyrs. Revised, with Notes and an Appendix, by the Rev. William Bramley-Hope. With illustrations by G. H. Thomas [i.e. George Housman Thomas], John Gilbert, G. Du Maurier [i.e. George Du Maurier], J. D. Watson [i.e. John Dawson Watson], A. B. Houghton [i.e. Arthur Boyd Houghton], W. Small [i.e. William Small], A. Pasquier [i.e. James Abbot Pasquier], R. Barnes [i.e. Robert Barnes], M. E. Edwards [i.e. Mary Ellen Edwards], T. Morten [i.e. Thomas Morten], etc. Engraved by W. L Thomas [i.e. William Luson Thomas]. London: Cassell, Petter, and Galpin, Ludgate Hill, E. C. [1866].

BM P&D reg. no. 1992,0406.128 Hood, Tom. [Editor.] Cassell’s Penny Readings. Illustrated by B. Bradley [i.e. probably Basil Bradley], H. K. Browne [i.e.  Hablot Knight Browne], W. Brunton [i.e. William S. Brunton], G. Cruikshank [i.e. George Cruikshank], Miss Edwards [i.e. probably Mary Ellen Edwards], W.H. Fisk [i.e. William Henry Fisk], The Late Paul Gray, C. Green [i.e. Charles Green], L. C. Henley [i.e. possibly Lionel Charles Henley], R. P. Leitch [i.e. Richard Principal Leitch], R. T. Pritchett [i.e. Robert Taylor Pritchett], C. Robinson, H. Sandercock [i.e. Henry Ardmore Sandercock], T. D. Scott [i.e. Thomas Dewell Scott], H. C. Selous [i.e. Henry Courtney Selous], A. Thompson [i.e. possibly Alfred Thompson], J. D. Watson [i.e. John Dawson Watson], W. J. Wiegand, E. M. Wimperis [i.e Edmund Morison Wimperis]. Edited by Tom Hood. London and New York: Cassell, Petter, and Galpin, [1867].


BM P&D reg. no. 1992,09406.136 Idyllic Pictures. Drawn by Barnes [i.e. Robert Barnes], Miss Ellen Edwards [i.e. Mary Ellen Edwards], Paul Gray, Houghton [i.e. Arthur Boyd Houghton], R. P. Leitch [i.e. Richard Principal Leitch], Pinwell, [i.e. George John Pinwell], Sandys [i.e. Frederick Sandys], Small [i.e.  William Small], G. Thomas [i.e. George Housman Thomas]. [Monogram device of Cassell, Petter and Galpin.] London and New York: Cassell, Petter and Galpin, 1867. The illustrations after Edwards are:
-         p. 33, captioned “Truer lights”
-         p. 53, captioned “Morning”
-         page 65, captioned “Margaret’s Birthday”
-         page 97, captioned “On the Shore”
-         page 117, captioned “Seeing Granny”
-         page 149, captioned “The Empty Cage”
-         page 157, captioned “Going Away”
-         page 161, captioned “On the River”
-         page 165, captioned “Recollections”
-         page 177, captioned: “Shadows on the Stream”

BM P & D reg. no. 1992,0406.261 Pictures of Society. Grave and Gay. From the pencils of celebrated artists and the pens of popular authors. London: Sampson Low, Son, and Marston, Milton House, Ludgate Hill, 1866. [London:] Dalziel Brothers, engravers & printers, Camden Press. 226p. 91 plates. In the [list of] Contents, the artists are listed as: Elizabeth Osborne, Charles Henry Bennett, Louis Huard, Edward Killingworth Johnson, John Dawson Watson, Von Ramberg [i.e. possibly Arthur Georg van Ramberg], Matthew James Lawless, Alfred W. Cooper, George du Maurier, Walter Crane, John Everett Millais, Florence Anne Claxton,  Thomas Hood, Frederick Richard Pickersgill, William McConnell, Charles Altamont Doyle, George Thomas [i.e. probably George Housman Thomas], T. Morgan, Frederick William Keyl, George Housman Thomas, Mary Ellen Edwards, Louis William Desanges, Thomas Morten, James Godwin, Frederick John Skill, J Bouvier, Sen. [i.e. possibly Joseph Bouvier] , John Callcott Horsley, Ferdinand Heilbuth, Thomas Francis Dicksee, Frederick Walker, H. Thomas, H. Schlessinger [i.e. possibly Henry Guillaume Schlesinger], Edward John Poynter, Edward Henry Corbould, Francis John Wyburd, H. Sanderson, William Paton Burton, Carl Piloty, Adelaide Claxton, Marcus Stone, Samuel Cotes, Charles Green, Charles West Cope, Thomas Bolton Dalziel, A. Pasquier [probably James Abbott Pasquier], Frederick Sandys, Robert Dudley.

BM P&D reg. no.1992,0406.270 Proctor, Adelaide Anne. Legends and lyrics. With an introduction by Charles Dickens. New edition, with additions. Illustrated by W. T. C. Dobson [i.e. William Charles Thomas Dobson], A.R.A., Samuel Palmer, J. Tenniel [i.e. John Tenniel], George H. Thomas [i.e. George Housman Thomas], Lorenz Fröhlich, W.H. Millais [i.e. William Henry Millais], G. Du Maurier [i.e. George Du Maurier], W.P. Burton [i.e. William Paton Burton] , J.D. Watson [i.e. John Dawson Watson], Charles Keene, J.M. Carrick [i.e. John Mulcaster Carrick] M.E. Edwards [i.e. Mary Ellen Edwards], T. Morten [i.e. Thomas Morten]. London: Ball and Daldy, 186, Fleet Street, 1866.

BM P&D reg. no. 1992,0406.393 Watts, Isaac. Divine and Moral Songs for children. Illustrated in the new graphotype engraving process by W. Holman Hunt [i.e. William Holman Hunt], W. Cave Thomas [i.e. William Cave Thomas], J. D. Watson [i.e. John Dawson Watson], G. du Maurier [i.e. George du Maurier], T. Morten [i.e. Thomas Morten], C, Green, H.K. Brown [i.e. Hablot Knight Brown], Marcus Stone, H. Anelay [i.e. Henry Anelay], Florence Claxton, M. E. Edwards [i.e. Mary Ellen Edwards], etc., etc. Under the superintendence of H. Fitzcook [i.e. Henry Fitzcook]. London: James Nisbet and Co., Berners Street, [1867].


-         page 129 captioned: “A puir reckless thing, tottering along like-”
-         page 257 captioned: “Mr. Saul proposes” [Frontispiece to March 1866]
-         page 385 captioned: “A friendly talk”
-         page 513 captioned: “Was not eh price in her hand?”
-         page 641 captioned: “did he not bear false witness against her?”


BM P&D reg. no. 1992,0406.203(n) The Cornhill Magazine. Vol. XIV. July to December, 1866. London: Smith, Elder & Co. 65, Cornhill, 1866. viii, 760p. 12 plates. Each monthly  issue (originally in paper wrappers) was accompanied by two illustrations. This volume has six illustrations after Mary Ellen Edwards for Trollope’s novel: ‘The Claverings’  
- page 85 captioned: “Captain Clavering makes his first attempt”
- page198 captioned: “The Lord giveth and the Lord taketh away”
- page257 captioned: “ Harry”, she said, “There is nothing wrong between you and Florence?”
- page 385 captioned: “Lady Ongar, are you not rather near the edge?”
- page 604 captioned: “How Damon parted from Pythias”
- page 702 captioned: “Florence Burton makes up a packet”

BM P & D Register no: BM 1992,0406.205 (a) The Dark Blue. Vol. I. March to August 1871 Edited by John C. [i.e. Christian] Freund. Illustrated. London: Sampson Low, Son, and Marston, Crown Building, 188 Fleet Street, 1871. 796p. 17 Plates. There are six monthly issues in this volume, and seventeen plates. The plates are usually signed with the artist and engraver names. The illustration facing page 197 is after M E Freer [i.e. Mary Ellen Edwards]. It is captioned ‘Take care whom you trust.’ and accompanies chapter III ‘Society Choral’ of the novel of the same title by Compton Reade. The illustration by Edwards facing page 494 accompanies chapter IX ‘ Oil and Water’, of the novel.

BM P&D reg. no. 1992,0406.201 (b) The Churchman's family magazine containing contributions by the clergy and distinguished literary men. With upwards of seventy illustrations.  With illustrations by Frederick Sandys; E. H Corbould; W. P. Burton; F. R. Pickersgill, R. A.; M. Ellen Edwards; T. B. Dalziel; E. H. Wehnert; Alfred W. Cooper; M. J. Lawless; P. W. Justyne; E. Armitage; H. C. Selous; Marshall Claxton; T. Morten, and others. Vol. II. London: James Hogg, 1863. 568p. The illustrations are variously engraved by: Swain, W. Thomas, H. Harral, Dalziel. The illustration facing page 385 is after Mary Ellen Edwards, captioned: “On the shelf – see page 405”.

BM P&D reg. no. 1992,0406.211 (b) London Society. An illustrated magazine of light and amusing literature, for the hours of relaxation. Volume V. 1864. London: [William Clowes] Office, 49 Fleet Street, E. C. 570p. This volume has five illustrations after Mary Ellen Edwards:
-         page 41 captioned “At Swindon”
-         page 151 captioned “The Forlorn Hope and the Damask Rose”
-         page 350 captioned “The Dream becomes Reality”
-         page 428 captioned “The Study of Astronomy”
-         page 538 captioned “Rival Charms”

BM P & D Register no: BM 1992,0406.211 (c) London Society. An illustrated magazine of light and amusing literature, for the hours of relaxation. Volume VI. 1864. London: [William Clowes] Office, 49 Fleet Street, E. C.570p; 96p. The plates are separate from the text. In the [list of] Engravings, the illustrations are drawn by: M. Ellen Edwards, C. A. Doyle, Cuthbert Bede, G. H. Thomas, Phiz [i.e. Hablot Knight Browne], J. D. Watson, Carl Piloty, W. Mc Connell, J. E. Millais, W. Brunton, H. Sanderson, Frank Wyburd, H. Schlessinger, Adelaide Claxrton, R. T. Pritchett, Rebecca Solomon, Florence Claxton. The engravings are by Dalziel, W. J. Lindon, H. Harral. The illustration facing page 353 is after M. E. Edwards, is captioned “Dangerous”, accompanying the story “The ordeal for wives; a story of London life”, by Annie Edwards. This volume has six illustrations after Mary Ellen Edwards:
-         page 185 captioned “Gone!”
-         page 252 captioned “Unto this last”
-         page 269 captioned “Milly’s Successes”
-         page 353 captioned “Dangerous!”
-         page 423 captioned “A Holocaust”
-         page 553 captioned “Magdalen”

BM P & D Register no: BM 1996,1104.27 London Society. An illustrated magazine of light and amusing literature, for the hours of relaxation. No. 26 February 1864. London: [William Clowes] Office, 9, St. Bride’s Avenue, Fleet Street. 192p. The plates are separate from the text. The illustrators are printed on the half title page:  T. Morten, Wm. McConnell, E. F. Weir, Phiz [i.e. Hablot Knight Browne], E. M. Wimperis, M. Ellen Edwards, J. Sanderson, George M. Thomas, Florence Claxton, C. A. Doyle. The frontispiece is after Edwards, is captioned: the “The folorn hope and the damask rose.”, and initialled bottom left “MEE”, and is also signed “H. Harral Sc” bottom right. 

BM P&D reg. no. 1992,0406.206(f)
Good Words for1866. Edited by Norman Macleod, D. D. And illustrated by J. Wolf, R. P.  Leitch, W. Small, G. J. Pinwell,, A. B. Houghton, J. W. North, and others. London: Strahan and Co., Magazine Publishers, 1866. 862p. 60 separate plates and illustrations set into text. Most of the engravings are signed “J. Swain” and “Linton”. In this volume, Edwards provided six illustrations to accompany the story “Ruth Thornbury”. The illustration facing page 624 is after Edwards, captioned: “Ruth Thornbury”, accompanying chapter VII of the story by William Gilbert.

BM P&D reg. no. 1992,0406.216 (b) The Quiver. [An illustrated magazine of social, intellectual and religious progress. Volume II. London: Cassell, Petter, and Galpin, Ludgate Hill, E. C. and 196 Broadway, New York. [1866- 1867.] 832p. No separate plates. The issues in this volume are from Saturday, September 22, 1866 to Saturday September 14, 1867. Some of the illustrators in this volume are: G. J. Pinwell, Alfred Thompson, A. Fairfield, C. Rufford, Edith Dunn, F. Oakes, B. Bradley, M. Ellen Edwards, W. Small, J. D. Watson, Charles Green, J. Wolf, E. Shiel(d?), C. J. Staniland, R. P. Leitch, R. T. Pritchett, F. W. Wimperis, A. C. Gow, W. H. Fisk, F. A. Fraser. The illustrations are variously signed “Linton”; W. Thomas”.

BM P & D Register no: BM 1992,0406.212 (f) Once a week. An illustrated miscellany of literature, art, science, & popular invention. Volume XIII. June to December 1865. London: Bradbury & Evans, 11, Bouverie Street. 780p. 80p. [Christmas Number.] 2 plates. M. E. Edwards provided twelve illustrations for this volume: p. 14, 42, 70, 98, 253, 281, 309, 337, 365, 393, 442, 471. The  illustrations are variously signed: “Swain”.

Mrs. D. O. Hill


Museum number P&D reg. no. 1992,0406.47 Burns, Robert. Poems and Songs. With original illustrations by R. Herdman, Gourlay Steell, Waller H. Paton [i,e. Waller Hugh Paton], Mrs. D. O. Hill [i.e Amelia Robertson Hill, second wife of D. O. Hill, nee Amelia Robertson Paton, sister of Sir Noel Paton and Waller Hugh Paton] , Samuel Bough, John McWhirter, and other eminent Scottish artists. Engraved by R. Paterson [i.e. possibly Robert Paterson]. Edinburgh: William P. Nimmo, 1868. Edinburgh: Printed by R. & R. Clark. xviii, 336p.

Agnes Eliza MacWhirter


Museum number P&D reg. no. 1992,0406.47 Burns, Robert. Poems and Songs. With original illustrations by R. Herdman, Gourlay Steell, Waller H. Paton [i, e. Waller Hugh Paton], Mrs. D. O. Hill [i.e. Amelia Robertson Hill, second wife of D. O. Hill, nee Amelia Robertson Paton, sister of Sir Noel Paton and Waller Hugh Paton] , Samuel Bough, John McWhirter, and other eminent Scottish artists. Engraved by R. Paterson [i.e. possibly Robert Paterson]. Edinburgh: William P. Nimmo, 1868. xviii, 336p. In the [list of] Illustrations, the artists, not mentioned on the title page, are: J. Lawson [i.e. John Lawson], Miss A. E. MacWhirter, [i.e. Agnes Eliza McWhirter], E. J. Douglas [i.e. Edwin James Douglas], George Hay, J. Cassie [i.e. James Cassie], Clark Stanton [i.e. George Clark Stanton], D.O. Hill, [i.e. David Octavius Hill], J. O. Brown, C. A. Doyle [i.e. Charles Altamont Doyle], W. F. Vallance [i.e. William Fleming Vallance], J. B. Macdonald [i.e. John Blake Macdonald], W. McTaggart [i.e. William McTaggart], W. E. Lockhart [i.e. William Ewart Lockhart].

Elizabeth Osborne


BM P&D reg. no. 1992,0406.261 Pictures of Society. Grave and Gay. From the pencils of celebrated artists and the pens of popular authors. London: Sampson Low, Son, and Marston, Milton House, Ludgate Hill, 1866. [London:] Dalziel Brothers, engravers & printers, Camden Press. 226p. 91 plates. The frontispiece is captioned: “Victoria’. It is signed: “EMO”, [i.e. Elizabeth M. Osborne].



The illustration facing page 571 is after Solomon, captioned: ‘“The results of an ambiguous Direction”; See “Which Won? A Story of Sisterly Affection,” page 571.’



Emily Thompson

BM P&D reg. no. 1992,0406.347 Rowley, Charles. A treasury for the young of all ages. Selected by Charles Rowley. Manchester: Sherratt & Hughes,1903. 80p. 8 plates. Printed in the Acknowledgement on page 3: “The living artists to be thanked for pictures are Miss Emily Thomson and Mr. Frederick Shields.” The illustration on the verso of the plate between pages 28 and 29 is entitled: “/ What o’clock is it?/ From a drawing by F. Shields/”. It shows two girls and a boy seated in a field, with the boy blowing the seeds from a dandelion head.

Miss C. Walker

BM P&D reg. no. 1992,0406.393 Watts, Isaac. Divine and Moral Songs for children. Illustrated in the new graphotype engraving process by W. Holman Hunt [i.e. William Holman Hunt], W. Cave Thomas [i.e. William Cave Thomas], J. D. Watson [i.e. John Dawson Watson], G. du Maurier [i.e. George du Maurier], T. Morten [i.e. Thomas Morten], C, Green, H.K. Brown [i.e. Hablot Knight Brown], Marcus Stone, H. Anelay [i.e. Henry Anelay], Florence Claxton, M. E. Edwards [i.e. Mary Ellen Edwards], etc., etc. Under the superintendence of H. Fitzcook [i.e. Henry Fitzcook]. London: James Nisbet and Co., Berners Street, [1867]. [4], vi, 76p. 18 plates. In the ‘List of Illustrations’, the following artists are additionally given [full names give where possible]: D. C. Hitchcock, C. E. Bassebe, Miss C. Walker. ‘The Headings, Borders, Tail-pieces, Ornaments and Cover, are by H. Fitzcook.’

[ends]


Tuesday, 17 March 2020

Publishing Activities of Owen Jones, Architect



Owen Jones Publishing Activities.

The work by Flores, Carol A Hrvol. Owen Jones. Design, ornament, architecture, and theory in an age of transition (2006), has an Appendix A, ‘Publication Activities [of Owen Jones]’. This lists fifty-four works: ‘Authored, Edited, Designed, or Containing Plates, Pages, Endpapers, or Bindings (Covers) by Owen Jones’, published between 1836-1867. The List below follows the sequence of citation as given by Flores. 

I began an exercise to find contemporary descriptions of the books, on which Owen Jones worked, to a greater or lesser extent; using the online resource, the British Newspaper Archive, to search for sale advertisements (or book reviews) which were placed in contemporary newspapers, normally by the publisher, or a bookseller. The majority of works had advertisements, giving the book format, the type of binding, and the price of the book after its binding. Some advertisements cite the role of Owen Jones in the book’s production. There are also book reviews.

There are two remarkable features about the information offered: firstly, publishers and booksellers purchased space in newspapers either just before or just after the book’s publication. This may seem normal to us today, but it is interesting to see how publishers then sought to maximise sales. Sometimes, advertisements would be taken out considerably later than the original date, possibly to clear stock.  Secondly, it is notable how many of the advertisements were placed in newspapers published all over the United Kingdom, including Ireland. It may have been misplaced optimism on the part of publishers to place advertisements in English, Welsh, Scottish and Irish provincial, and city newspapers. However, publishers and booksellers must have hoped to extend their market for sales, in order to re-coup some of their capital outlay. They must have had some foreknowledge that wealthy people in rural areas had monies enough to buy expensive books.

City booksellers offered discounts on some books, quite soon after publication. This may indicate that they purchased copies from publishers at wholesale prices. Appealing to would-be customers to buy a book as a gift, or ‘for the drawing room table’ shows publishers’ intention to exploit class sensibilities. Purchasers could give the book away to others, or confirm their status to their own social circle by display, reinforcing that they could afford to purchase the book. In the case of organisations, purchase was for the purpose of presenting the book as a prize.


Edmund M B King
St Albans March 2020


1836. Wilkinson, J. G. The Manners and Customs of the Ancient Egyptians. John Murray. [3 vols.]
            Carlisle Patriot 27 January 1838 page 4. ‘Manners and Customs of the Ancient Egyptians. On Wednesday next with 450 illustrations 3 vols. 8vo. £3 3s. John Murray Albemarle Street.’
            Carlisle Patriot 3 February 1838 page 1. ‘Manners and Customs of the Ancient Egyptians. On Wednesday next with 450 illustrations 3 vols. 8vo. £3 3s. John Murray Albemarle Street.’
            The Atlas 12 May 1838 page 16. ‘New Books Just Published by Mr. Murray. IV. Wilkinson’s Manners and Customs of the Ancient Egyptians. With 4350 engravings on Wood and Stone, and many colour plates. 3 vols. 8vo. 3l. 3s.’

1840. Hay, Robert. Illustrations of Cairo.
            John Bull 5 December 1840 page 11. ‘Just published, imperial folio, half morocco, 4l. 4s. Illustrations of Cairo, by Robert Hay Esq., of Linplum. Drawn on stone by J. C. Bourne, under the superintendence of Owen B. Carter, Architect. Printed in the new tinted style; with Descriptive Notices. Tilt and Bogue, Fleet-street.’
            Liverpool Mail 5 December 1840 page 1. ‘Splendidly illustrated works. Wareing Webb, Bookseller and Stationer Castle-street … respectfully invites the attention of the Nobility, Clergy, and Gentry of Lancashire and the neighbouring counties, to his extensive stock of Illustrated Works, of recent publication, which are particularly suited to the Drawing-room Table. Among them will be found Hay’s Illustrations of Cairo (just published) …’
            Hampshire Chronicle 8 May 1847 page 3. ‘A List of Books. A portion of the Stock of Jacob and Johnson, on Sale at the Office of this Paper, Wednesday …Hay’s Illustrations of Cairo, drawn on stone, by J. C. Bourne, under the superintendence of O. B. Carter, hf. bd. morocco £2 5s. 0d.’

1842. Owen Jones.  Designs for mosaic and tessellated pavements; with an essay on their materials and structure by F. O. Ward.
          Globe 27 January 1843 page 3. ‘Fine Arts. Tessellated Pavements… Encouraged by the success which has attended upon this discovery, Mr. Blashfield, of the house of Wyatt, Parker and Co. [ceramic tile suppliers], has produced a work of exquisite illustrations in corroboration of the great advances the art has made. It would be impossible to give an idea of the beauty and order displayed in these designs: Mr. Owen Jones has been entrusted with their execution, and admirably has he acquitted himself. The text is appropriate and concise, and in a clear an explicit style furnished the history of the ancient and modern tessellated pavements…Mr. Weale, of High Holborn, is the publisher.’

1842-1845. Plans, elevations, sections and details of the Alhambra. From drawings taken on the spot by J. Goury and O. Jones. With a complete translation of the Arabic inscriptions and an historical notice of the Kings of Granada by Pasqual de Gayangos.
The Atlas, 21 March 1840, p. 15: ‘Parts VIII and IX Just Published. Folio Colombia £1 5 0.’

1841. Lockhart, J. G. Ancient Spanish Ballads.
                Worcester Journal. 10 March 1842, page 1. ‘…with original and appropriate Embellishments, 4to., £2 2s.’

1842. Henry Gally Knight. Ecclesiastical Architecture of Italy. H. Bohn.
                Evening Mail 14 April 1843 page 6. [Review] ‘The Ecclesiastical Architecture of Italy. We have great pleasure in giving our unqualified approbation to this very beautiful and elaborate work, recently published by Mr. H. Bohn. Such a work has long been a desideratum among the lovers of classical architecture and we are satisfied that its execution could not have been entrusted to better hands. The present volume contains a number of highly finished drawings and plans of Italian churches… The Introduction and text are contributed by Mr. Gally Knight, M. P., a name so familiar to readers of architectural antiquities to require any commendation from us.’
                Sun (London) 9 January 1845 page 7. [Review] ‘… the magnificent book of Mr. Gally Knight “On the Ecclesiastical Architecture of Italy…” presents copious evidence that the placing of the altar at the eastern end [of a church] was by no means uniformly the practice of remote antiquity.’
1842. The Musical Bijou. D’Almaine & Co.

                Warder and Dublin Evening Mail 18 September 1841 page 1. ‘The Musical Bijou for 1842. An annual of music & poetry. The embellishments, executed in Gold and Colours, in a style of unrivalled beauty, and containing upwards of 120 contributions…’
1843. Jones, Owen. Encaustic Tiles.
[No advertisement found.]

1843. Views on the Nile: from Cairo to the Second Cataract: drawn on stone by George Moore, from sketches taken in 1832 and 1833 by Owen Jones and the late Jules Goury. With historical notices of the monuments by Samuel Birch. pl. 30.
                Illustrated London News. 29 July 1843, page 16. ‘… Half-Morocco £4 4s. Coloured and Mounted £10 10s. London: Published by Graves and Warmsley, 6, Pall-mall.’

1843-1845. Westwood, J. O. Paleographia Sacra Pictoria.
Leeds intelligencer 12 July 1845 page 7. ‘Paleographia Sacra Pictoria. By J. O. Westwood, F. L. S. (W. Smith, London)…is a series of illustrations of ancient illuminated manuscripts versions of the Bible… This volume is a welcome and beautiful addition to the library of the palaeontologia, and we think one of the cheapest, considering the expensive nature of the illuminated illustrations.’

1844. Calabrella, E. C. Prism of Imagination.

                Salisbury and Winchester Journal 6 January 1844, page 1. ‘Sold be Messrs Brodie and Co., Salisbury… Illustrated by Owen Jones and Henry Warren. Post 8vo., handsomely bound in morocco and gilt £1 1s. 0d.’
               Naval and Military Gazette. 16 December 1843, page 14. ‘…the binding is at once gorgeous and chaste… in orange morocco and gold.’
1844. Catherwood, Frederick. Views of Ancient Monuments in Central America and Yucatan.
                Morning Post 17 May 1844 page 6. ‘Fine Arts. Catherwood’s Views in Central America.- The views …just publisher by Mr. Catherwood, cannot fail to excite great interest for the light they throw on the architectural remains of a people of whose history no traces now exist. … The drawings are on a scale of magnitude, and admirably executed on stone…’
                The Atlas 25 May 1844 page 16 ‘ Views of Ancient Monuments in Central America, Chiapas, and Yucatan. By F. Catherwood, Architect. Twenty-five Plates and Map with descriptive letter-press. Imperial folio, half bound in morocco… £5 5 0; coloured and mounted, in a portfolio …£12 12 0’. Published by F. Catherwood at No. 9, Argyll-place, London; and to be had of the principal Print and Booksellers.’

1844. Fox Talbot, W. H. The Pencil of Nature.
                The Globe 11 June 1844 page 1. [Advertisement by Longman] ‘With five photographic plates, royal, 4to., 12s. The Pencil of Nature by H. Fox Talbot Esq., F. R. S. , etc. etc. This is the first work ever published with photographic plates – that Is to say, executed by the Sun’s light alone, and consequently not requiring for their formation any knowledge of the art of drawing. The first number will be published this week.’
1844- 1849. Humphreys, H. N.  The Illuminated Books of the middle ages; an account of the development and progress of the art of illumination ... from the IVth to the XVIIth centuries ... Illustrated by a series of examples ... executed on stone and printed in colours by Owen Jones.
London Daily News 20 May 1846 page 8. ‘Humphreys – The Illuminated Books of the Middle Ages. A History of Illuminated Books, from the Fourth to the Seventeenth Century. By Henry Noel Humphreys. Illustrated by a Series of Fac-simile Specimens, each consisting of an entire Page, of the exact size of the Original, from the most celebrated and splendid MSS. In the Imperial and Royal Libraries of Vienna, Moscow, Paris, Naples, Copenhagen, and Madrid, - from the Vatican, Escurial, Ambrosian, and other great libraries of the Continent; - and from the rich Public, Collegiate, and Private Libraries of Great Britain. In Course of publication, in Parts. Parts 1 and 2, imperial 4to., each containing Three Plates, splendidly printed in gold, silver, and colours, in imitation of the originals, as accurate as can be produced by mechanical means, with descriptions, price 12s. Large Paper, on Half Imperial (21¼ in. by 13), to prevent folding the large plates, 21s. *** Six parts to form a Volume, Four volumes completing the work.’

1844. The Sermon on the Mount.
[No advertisement found.]

1844. Weale, John. [Weale’s] Quarterly Papers on Architecture. Vol. II.
                Banbury Guardian 8 February 1844 page 4. ‘Literary. List of New Works. Weale’s Quarterly Papers on Architecture. Vol. I. 4to. 24s. half bound.’
                The Era 18 February 1844 page 3. [Review] ‘Weale’s Quarterly Papers on Architecture – Parts I and II. The great hiatus in architectural literature has been filled up by these papers, being, as they are, entirely devoted to architecture and the arts… [Conclusion] Mr. Weale has given us may illustrations of splendid specimens of painting on glass, and indeed these volumes promise to form a gallery of all the celebrated works of art of this description… No pains nor expense seems to have been spared, either as to matter or manner, and we seldom seen a work so deserving of the success which every artist must hope will attend its publication.’

1845. The Book of Common Prayer. John Murray.
                The Globe 30 April 1845, page 1. ‘The Illuminated and Illustrated Edition of the Book  of Common Prayer . Part I., royal 8vo., 5s. 6d. is published this day. John Murray, Albemarle Street.’

1845. Essex, William R. H. Illustrations of the Architectural Ornaments and Embellishments and painted glass, of the Temple Church.
[No advertisement found.]

1845. Humphreys, Henry Noel. The Illuminated Calendar and Home Diary for 1845.
                London Daily News 20 May 1846 page 8. ‘*** The Illuminated Calendar and Home Diary for 1845; copied from the MS, of the “Hours of Anne of Brittany.” Imp 8vo, 42s. in emblazoned printing and binding.’

1846. The Floral Almanack.
                Sun (London) 1 December 1845 page 7. ‘This, without exception, the most beautiful of printing in colours that has yet been presented to the public, is executed by Owen Jones, and published by the De La Rue... This exquisite production, on once useful and ornamental, should find a place in every boudoir or drawing room.’
                The Morning Post 15 December 1845 page 1 [Advertisement by De La Rue] ‘The Floral Almanack. Price 5s.’
1846. Gray, Thomas. Gray’s Elegy.  
                The Globe 17 December 1846, page 1; and The Morning Post 19 December 1846, page 1. ‘Richly illuminated Christmas Gift. Just Published in imperial 8vo. 31s. 6d. elegantly bound in patent relievo leather.’

1846. Moore, Thomas. Irish Melodies.
                Globe 4 October 1845 page 4. [Advertisement by Longman] ‘Moore’s Irish Melodies. Illustrated by D. Maclise, R. A. In on vol. imp. 8vo. With 160 designs on steel, 3l. 3s; or Proof Impressions 6l. 6s. The above may be had, bound in morocco, by Hayday. Price 4l. 4s.’

1846. Adams, Edward. The Polychromatic Ornament of Italy.
                Nottingham Review 7 May 1847 page 4. ‘Government School of Design. – J. H. Manners Esq., has just presented the first part of a valuable work, entitled “Adams’ Polychromatic Ornament of Italy”, a series of Examples of the Interior Decorations and Frescoes of the 16th century. Drawn from the originals by Edward Adams, Architect, and printed in colours by Owen Jones. Now Rready, 1 vol., royal 4to., half bound, with an Ornamental enamel wrapper, price 30s. G. W. Nickisson, 215, Regent-street.’

1846. Weale, John. Divers Works of the Early Masters in Christian Decoration.
                Banbury Guardian 18 June 1846 page 1. ‘List of New Works. Works of the Early Masters in Christian Decoratoin, 2 vols. Imp. Folio, 75 illustrations, £10 10s. hf. mor.’

1847. Carleton, William. The Black Prophet.
                The Globe 13 March 1847 page 1. ‘The Black Prophet Complete; Now ready, price 1s. 320pp., bound. The Parlour Library, Vol. I. The Black Prophet: a Tale of Irish Famine. By William Carleton, Esq. …Simms & M’Intyre, 13, Paternoster Row, London, and Donegal-street, Belfast.’

1847. Bacon, M. A. Flowers and their Kindred Thoughts.
                John Bull. 17 December 1849 page 2. ‘Flowers and their Kindred Thoughts, with beautiful Illustrations in colours by Owen Jones. Imperial 8vo., 31s. 6d. elegantly bound.’

1847. English Hexameter Translations. John Murray.
[No publisher advertisements, which give a price.]

1847. Leigh Hunt. A jar of honey from Mount Hybla.
                Morning Advertiser 27 December 1847 page 1. ‘Leigh Hunt’s Christmas Book now ready price 14s., A jar of honey from Mount Hybla by Leigh Hunt. Illustrated by Richard Doyle. Square demy 8vo., in an Ornamental Binding. [Quotes from other newspapers.] London: Smith, Elder and Co., 65, Cornhill.’

1848. Miller, Thomas A. A Treatise on Water Colour Painting, as applied to the landscape and the figure ... illustrated by eight plates, etc.
                Birmingham Journal. 22 January 1848 page 3. ‘List of New Books. Miller’s T. Treatise on Water Colour Painting, plates 21s. cl.’
                Staffordshire Advertiser 22 January 1848 page 3. ‘List of New Books. Miller’s T. Treatise on Water Colour Painting, plates 21s. cl.’

1849. The Arabian Nights Entertainments.
                Dublin Weekly Nation 29 December 1849 page 1. Advertisement by Charles Hedgelong, 90, Grafton Street. ‘ Arabian Nights Entertainments the complete edition in one large vol., illustrated with five plates, neatly bound in cloth, gilt, 7s. 6d. pub at 14s.’

1849. Ashley, Alfred. The art of etching on copper.
                King’s County Chronicle 15 August 1949 page 1. ‘Shields and Son, Country Printing Establishment and Paper and Stationery Warehouse, Cumberland Square, Parsonstown. … The following New Works may be had to order. The art of etching on copper. By Alfred Ashley. Illustrated with 14 etchings by the Author. 10s. 6d.’

1849. Horace. The works of Quintus Horatius Flaccus/ Quinti Horatii Flacci Opera.
                [Review of the book in] The Morning Chronicle, 31 January 1849, page 6. ‘The works of Horace. Illustrated chiefly from the Remains of Ancient Art. With a life by the Rev. H. H. Milman. John Murray. 1849. … Altogether the volume is unique in idea and execution: no pains, no expense, and no degree of executive skill seems to have been spared in getting it up. The Messrs. Vizetelly have long been known as artist in everything relating to lithograph and taste in preparing ornamental works; but the present volume is one of the greatest triumphs which they have achieved , uniting as it does, splendour of ornament with pure and classic taste in its appreciation.’

1849. The Song of Songs.
                John Bull 4 and 18 November 1848. ‘New Present book, in illuminated printing, by Owen Jones. Just published, in imperial 16mo., elegantly bound in relievo leather, price 21s. The Song of Songs. From the Holy Scriptures. Being the Eight Chapters of the Song of Solomon, richly illuminated in the Missal Style, by Owen Jones. London: Longman…’

1849. The Preacher.
                Banbury Guardian 28 December 1848 ‘Preacher (The). Illuminated by Owen Jones. Imp. 8vo. 42s carved bds [boards].’
                Morning Post 19 December 1849 page 1. ‘The Preacher. Illuminated by Owen Jones. Imperial 8vo., 31s. 6d. calf; carved covers 42s.’
                Manchester Courier 22 December 1849 page 12. ‘The Preacher. Illuminated by Owen Jones. Imperial 8vo., 31s. 6d. calf; carved covers 42s. Longman…’

1849. The Song of Solomon.
                The Morning Post 19 December 1849 page 1. ‘Illuminated by Owen Jones. Imperial 16mo., 21s. elegantly bound.’
                Manchester Courier 22 December 1849 page 12. [Longman advertisement] ‘The Song of Solomon. Illuminated by Owen Jones. Imperial 16mo., 21s. elegantly bound.’

1849. The Song of Songs.
                Carlisle Patriot 13 January 1849 page 1. ‘Elegant Christmas Gifts. The Song of Songs from the Holy Scriptures; being the Six Chapters of the Book of the Song of Solomon, richly illuminated in the Missal style, by Owen Jones; elegantly bound in relieve leather, imperial 16mo. 21s.’
1849. A Treasury of Pleasure Books for Young children.
                Manchester Courier 29 December 1849 page 8. [Advertisement by Grant and Griffith] ‘ New and popular present books for the young. A treasury of pleasure books for young children; with 160 [illustrations] by J. Absolon and H. Weir. Bound in a beautiful cover, designed by Owen Jones. Fcap 8vo., 7s. 6d. plain; 12s. coloured.’ 

1850. Bacon, M. A. Fruits from the Garden and the Field.
                The Morning Post. 13 December 1849, page 1. ‘With beautiful Illustrations in Colours by Owen Jones. Imperial 8vo., 31s. 6d.’

1850. Bacon, M. A. Little Goody Two-shoes.
Manchester Courier 21 December 1850 page 2. [Advertisement of Cundall & Addey: series] ‘Pleasure books for young children’ no.12] ‘6 pictures. Price sixpence, plain; one shilling, coloured.’

1851. Bacon, M. A. Winged Thoughts
          Morning Chronicle 26 December 1850 page 7 [Review] ‘Winged Thoughts. Longman. The trio concerned in this publication merits the warmest praise; The names of them … are Owen Jones, E. L. Bateman, and M. A. Bacon. The first of these worthies has invented the whole, the second has drawn the illustrations on stone, and the third has expressed his conception in verse. The idea of the work is that the birds are the types of our “Winged Thoughts”, and each bird accordingly has a portrait as illustrative of the thought conveyed by the accompanying verses. … The verses, though somewhat mechanical in structure, have throughout a moral tone, and are of equable merit. But the engravings (in colours) are superb, and deserve to be accompanied with poems printed, as these are, in gold. Of all the Christmas books this is the most fanciful, and appeals, with peculiar attractions to the enthusiastic and the imaginative.’
          The Cornish Telegraph 3 January 1851 page 3. ‘Owen Jones’s New Christmas Book. Winged Thoughts. By Mary Ann Bacon. With Illustrations of Birds, designed and printed in Colours by Owen Jones. Imperial 8vo. 31s. 6d. elegantly bound.’
          Reviews also printed in The Morning Post, 15 January 1851, page 6; The Examiner 28 December 1850 page 6. 

1851. James Clarke Roberts. A few words to schoolboys about Christmas.
[No advertisement found.]

1852. Society of Arts. Transactions.
[No advertisement found]

1856. The Grammar of Ornament
             Birmingham Journal 5 March 1856 page 2. ‘Two parts of the work are now before us.’
Staffordshire Sentinel 22 March 1856 page 9. [Advertisement of] ‘Cornish Brothers 37, New Street, Birmingham. Owen Jones Grammar of Ornament. Part II., 4s. 6d.’
Birmingham Journal 5 May 1856 page 2. ‘Art and Science. Parts 3, 4 and 5 are now before us… it is a repository of the ornament of all ages and countries, a treasure-house wherein is brought together and shown at a glance much of what previously even the best ornamentalists were comparatively ignorant. It is a work we think should only be known in order to ensure its purchase, which we most cordially recommend.’
North & South Shields Gazette 10 December 1857 page 5. ‘Just published, extra half-bound, morocco £19 12s. The Grammar of Ornament. By Owen Jones. 3,000 examples from various styles; 101 imperial folio plates, by F. Bedford, printed in colours, with text interspersed with wood engravings. Day and Son, Lithographers to the Queen.’

1860. Moore, T. Paradise and the Peri.
                Morning Post 8 December 1860 [Review] ‘New Illustrated Books. … an exception must be made in favour of Mr. Owen Jones and Mr. Henry Warren’s edition of Moore’s “Paradise and the Peri”. A more perfect example of its kind it is impossible to conceive; and, regarded in connection with the poem it adorns and illustrates, its great unity of design will be freely acknowledged. For invention in the designs of the borders, vigour and power in the drawing of the figures, and perfect harmony of colouring, the work is unsurpassed.’
                Aris’s Birmingham Gazette 22 December 1860 page 2. ‘Illustrated Christmas Books. – Cornish Brothers have now on sale all the new Illustrated Christmas Books. Paradise and the Peri beautifully illuminated. Offered at £1.15.0; Published at £2.2.0.’

1861. The Sunday Alphabet
                Soulby’s Ulverston Advertiser 8 August 1861 page 1. ‘Price five shillings. Sunday Alphabet, beautifully illuminated by Owen Jones. Embodying simple Scriptural Lessons in Verse. May be had of Stephen Soulby, Bookseller, King Street.’

1861. The Victoria Psalter
                Frome Times 21 August 1861 page 1. ‘The Victoria Psalter… One Hundred and Four Folio Pages in Colours and Gold… every page of which will be enriched with initial letters and borders by Mr. Owen Jones… It will consist of one hundred and four folio pages, and it will be published fortnightly in parts, [each] containing three magnificent folio plates, for 5s. Six parts now published.’
                Illustrated London News 6 December 1862 page 13. ‘New Books at less than half the published prices. Victoria Psalter by Owen Jones, £4, pub. At £12 12s.’
                Sporting Gazette 6 December 1862 page 16. ‘100 Folio pages, in Colours and Gold, price £12. 12s. The Victoria Psalter… Every page of this work is enriched with Initial Letters and borders. A binding of extraordinary beauty has been prepared for this work…’

1862. The Holy Bible. [Published by Ward, Lock]
                Sheffield Daily Telegraph 27 November 1861 page 1.  ‘The best gift book of the season, Price One guinea, a Beautiful Edition of the Holy bible, with illustrations from Raphael’s Picture, freely adopted by Robt. Dudley, superbly printed in Tints, with gold border, Magnificently bound in Relievo Leather from a Design by Owen Jones. Thos. Rogers, Post-office Corner.’

1862. Foster, Birket. Pictures of English Landscape. Routledge.
                Dublin Evening Mail 18 December 1862 page 2. ‘Handsome Gift Books. Hodges, Smith & Co. have just received the following: Birket Foster’s Pictures of English Landscape. Cloth 21s.; morocco antique, or elegant £1. 14s. 6d.’

1863. Tennyson, Alfred. A Welcome to H. R. H. the Princess of Wales
                Hertford Mercury and Reformer 23 January 1864 page 2. ‘The only new illuminated gift-book this season and the most beautiful ever produced. By permission of the Poet Laureate, Illuminated by Owen Jones. A Welcome to H. R. H. The Princess Alexandra, By Alfred Tennyson, Esq., D. C. L., etc. Appropriately Illuminated by Owen Jones. Price 21s. To be had of Stephen Austin, Bookseller, Hertford.’
                Shields Daily News 13 August 1867 page 4. ‘A Welcome to H. R. H. the Princess of Wales, written by Alfred Tennyson and brilliantly illuminated by Owen Jones chastely bound in inlaid cloth, gilt edges, 7s 5d; pub at 21s.; postage 10d.’

 1864. The History of Joseph and his Brethren.
                Friend of India and Statesman 24 November 1870 page 26. ‘The History of Joseph and his Brethren. Illuminated by Owen Jones and Henry Warren. Most elaborately printed on thick toned paper in gold and colours, handsomely bound in cloth. (10 0) 12 0.’
                Shields Daily News 7 January 1865 page 4. ‘Fifty two plates, 4to., in an elegant binding, £2 2s.; a limited number of 250 large paper copies, superbly finished at £5 5s.’
1864. One Thousand and One Initial Letters. Day & Son.
                Shields Daily News 7 January 1865 page 4. ‘Illustrated Gift Books. Just published, edition limited, and stones destroyed, 28 folio plates, elaborately printed in colours and in gold, containing 1001 entirely new designs, price, half bound, £3 10s. One thousand and one initial letters. Designed and illuminated by Owen Jones…’  

1864. Seven Hundred and Two Monograms.
                London city Press 20 August 1864 page6. ‘We have received from the Messrs De La Rue a book of 702 monograms, designed by Mr. Owen jones. The publication is a great curiosity, illustrating the multitudinous forms in which initial letters may be placed; but it has a higher value in the artistic and graceful treatment of the monograms at the hand of the talented designer.’

1865. The Grammar of Ornament [Second edition.]
                London Evening Standard 1 April 1865. ‘The Grammar of Ornament. By Owen Jones. A Cheap Edition of the whole of this great Work, executed with all the beauty of the original. Folio Edition. Part I., 3s. 6d., containing four plates in Chromolithography (to be completed in 28 parts of plates, and two parts of Text only, 30 parts in all, to be published fortnightly), on April 1st. London Day & Son (Limited), 6, Gate -Street, W. C.’
Croydon’s Weekly Standard 10 December 1865 page 1. ‘The Grammar of Ornament By Owen Jones, containing 112 plates in gold and colours, and upwards of 3,000 examples from various styles; £5 5s. – in parts 3s. 6d. ‘

1866. Scenes from The Winter’s Tale. Day & Son.
                Sun (London) 28 December 1865 page 2. [Review; conclusion] ‘It is a work of poetic and artistic voluptuousness luscious in the glow and grace of it – in the grace of the outlines and in the glow of the colouring – alike in tone though unlike in degree to the sense of the more educated and the less educated among its purchasers. Opening the book anywhere – merely to see it is to accord it our instant admiration.’

            Friends of India and Statesman 3 May 1866 page 29. ‘ Thacker, Spink and Co. – Calcutta. New Illuminated and Illustrated Gift Books. Adapted for Presents, or for the Drawing Room. Scenes from “The Winter’s Tale” embellished with 24 plates and 24 pages of letter press, most richly and elegantly illuminated with ornamental colored borders, all different in design. The illuminations by Owen Jones and Henry Warren, and the designs on stone by A. Warren, in handsome and emblematic cover, 4to., credit Rs. 28-12; cash 24-2.’ 

1867. Owen Jones Examples of Chinese Ornament.
                Lady’s Own Paper 28 December 1867 page 13. ‘Books. Companion volume to “The Grammar of Ornament” by Owen Jones. Now ready, Examples of Chinese ornament, selected from objects of Porcelain, Enamel, and Woven Fabrics, in the South Kensington Museum, and other collections. Comprising one hundred elaborate plates … small folio, handsomely bound, crimson cloth, gilt edges, price £4 4s. …Published by S. and T. Gilbert, 4 Copthall Buildings, London, E. C.’

1867. Simpson, William. India, ancient and modern : a series of illustrations of the country and people of India and adjacent territories / executed in chromo-lithography from drawings by William Simpson ; with descriptive literature by John William Kaye.
                London Evening Standard 6 April 1864. [Review of exhibition of 158 watercolours by Simpson in the German Gallery, Bond Street.]
                Edinburgh Evening Courant 10 January 1866 page 1. ‘ Fine Arts. Hill’s Galleries, 67 Princes Street. Now on view, Mr. Simpson’s magnificent collection of water-colour drawings of India Ancient and Modern Taken on the spot. Open 10 a.m. till eight p.m.; Admission Sixpence. Season Tickets. Half a-Crown.’
                Times of India 14 November 1868 page 1. Now Ready Part I. & II. Price [Rupees?] 21 each cash. India, Ancient and Modern; delineated in a series of water colour drawings, made on the spot by William Simpson, the literary portion of the work by J. W. Kaye… fifty [sketches] have been selected for the present work and will be issued in Ten Parts at £2 2s. each. The Whole Work is now in a very advanced state of preparation. Two numbers are ready for delivery, and the remaining parts will be issued as soon as ready, without reference to any stated intervals. The above price does not include Postage or Packing. Parts I. and II. Will be supplied in Bombay at Rs. 21 each for CASH ONLY by the undersigned. Rampart Row. Thacker Vining & Co.’

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