Wednesday, 3 September 2025

Books published by T. N. Foulis in the Robin de Beaumont Collection

 

@02092025

Books published by T. N. Foulis in the Robin de Beaumont Collection

Robin de Beaumont was a pre-eminent collector and bookseller of Victorian books. He died in 2023 aged 97. Details of his life and collecting are available via the Sheila Markham interview https://www.sheila-markham.com/interviews/robin-de-beaumont.html

His collection of Victorian publications was one of the finest, as the condition of a book was paramount – always the copy in best condition was sought and retained, whilst copies in a lesser condition were sold. Books with provenance he frequently purchased. I had become familiar with some of the publishers’ bindings in his collection, having provided an essay and descriptive entries for the four hundred books that he gifted to the British Museum in 1994, entitled: “Prints, Provenance and decorated book covers. Cataloguing The British Museum Robin de Beaumont Collection.” https://victorianbookbindings.blogspot.com/2019 /

His family put up his collection for auction, via Bonhams. Consequently, an online sale of the collection was held on 31 January 2024. Purchases of Lots 188 (grouped together under the heading paper wrappers) and 189 (yellowbacks) at the online auction were acquired by the British Library, with generous support from the BL Collections Trust.  Some ninety works published by T. N. Foulis were sold as Lot 53 of the Bonhams sale, and these were acquired by The British Library.

My first acquaintance with books published by T. N. Foulis was on a visit to de Beaumont’s house in the 1990s. In showing me some of these, he commented: ‘There was not much activity collecting books published by T N Foulis; so I decided to see what I could acquire….’ It seems likely that his interest was aroused by his purchase for £30 in September 1967 of a scarce work: “A Descriptive Catalogue of the Books Issued by T. N. Foulis” (as of 2025, two other copies exist in the LSE library and in the National Library of Scotland).

The shelfmarks for Foulis books acquired by the British Library are: C188a717 to C188a805. The British Library decided to make images and descriptions for each of these Foulis books, using Wikimedia Commons. Detailed pictures and descriptions are available in Wikimedia commons at:

https://commons.wikimedia.org/wiki/Category:Formerly_Robin_de_Beaumont_Collection

(If this link does not work, then keying into the Wikimedia Commons search box, the category             Formerly Robin de Beaumont collection         This enables all the books to be viewed together. Click on an individual thumbnail image, to retrieve a full-size image, and also the full descriptive entry. Alternatively, you can key into the Wiki search box, the BL shelf mark and a running number for an individual book. For example C188a573 01; C188a569 01)

For each de Beaumont book entry, images were normally made of: the covers and the spine; the title page; the frontispiece, if present; the notes, the bookplate, endpapers and pastedowns. In the notes field of each Wikimedia entry, there a full description of the work, and its book covers. de Beaumont routinely wrote notes regarding where and when the book was purchased and price paid. As far as possible, these are transcribed. There is plenty of information about Foulis publications, such as:

TN Foulis https://en.wikipedia.org/wiki/T._N._Foulis 

Glasgow life:  https://libcat.csglasgow.org/web/arena/foulis

https://www.jonkers.co.uk/blog/the-envelope-booklets-of-t-n-foulis

The most useful accompaniment to the descriptions was the work of: Ian Elfick and Paul Harris, T.N. Foulis. The History and Bibliography of an Edinburgh Publishing House. London: Werner Shaw Ltd, 1998. Both were collectors of Foulis publications. As they explain (p. vii): “The hallmarks of a Foulis book - the buckram binding, tipped-in colour plates, elegant Auriol typeface, rose-watermarked paper – were elegant enough in their day. Today, such features are virtually unheard of in a world of generally uniform book production, and once handled, any true bibliophile would find it difficult to put down a Foulis book”.  This bibliography cites four hundred and nine entries. Robin de Beaumont was acknowledged for his assistance in the compilation of the bibliography (p.vi).   The copies collected by de Beaumont number some ninety entries, whose acquisition spanned some forty years from the late 1960s to the early 2000s. … Matching the de Beaumont copy with the Elfick & Harris descriptive entry was rendered straightforward, as they provide full details for each work.  

Grouping the entries relating to copies once owned by de Beaumont is done by creating a category in Wiki Commons. This means that you, the user, can readily see images online of the books that Robin de Beaumont owned. Simply key into the wiki search box     formerly Robin de Beaumont collection         and you will view thumbnail images for each book. Each wiki entry needs to be unique, so a running number was created for each image (e.g. C188a770 01; C188a770 02; C188a770 03    etc.), and there are normally several images per book.

Some features of the collection

Many volumes had grey paper used as backing sheets upon which the illustrations were mounted. Paper used for pastedowns and endpapers at times had chain lines. There was frequent use of gilt top edges, deckled foredges and deckled tails. The paper wrappers and dust jackets often had yapp edges. Foulis systematically included one (or more) pages bound in at the end, detailing other titles newly published, or titles in a series. The use of illustrations mounted on backing sheets was also much deployed. As will be seen below, the mounting of an illustration was also common for the front covers of the wrappers and dustjackets.

Jessie M King cover designs/ artwork

Elfick & Harris listed (pp. 251-252) those artists commissioned by T. N. Foulis to provide decorative or illustrative designs. There are twenty-three publications with designs by Jessie M. King. Robin de Beaumont collected nine works; with repeats or the text bound in variant bindings, the number rises to seventeen. He acquired three copies of Grey Old Gardens C188a731; C188a732; C188a733;


Covers by J M King for C188a731
     

                                                       

                                                                dust jacket for C188a731

 

        

Covers by J M King for C188a732                        C188a733

 

For C188a734, the dust jacket has been separated from its host book. However, it is the same jacket as for C188a731.

There are three copies of D. G. Rossetti The Blessed Damozel

C188a764 (paper), has a cover design signed by Jessie King. There are five batik bindings attributed to Jessie King: C188a764(paper); C188a765(Silk); C188a766(silk); C188a776; C188a777. Elfick & Harris noted on page 156 of their bibliography: “The silk [cover] was available in five different designs…the silk bindings may be batiks designed by Jessie M. King. All the silk [bindings] have the title blocked in a gilt plate in the top centre.” 

 

 

There are two copies of Frederick Myers St. Paul, which Elfick and Harris suggest may have silk binding designs after Jessie M. King (C188a776; C188a767)

 

                     

C188a741 dust jacket                                                    C188a741 covers and spine

There are two copies of The Book of Old Sundials (C188a741; C188a742). C188a741 has its dust jacket. The covers and spine have essentially the same design by Jessie M. King, as are on copies C188a731 and C188a732 – Corners of grey old gardens, with the cover design being “all over”, after Jessie M. King. On the upper cover of C188a731, there is a pair of garden gates, with a small tree between the gates and more plants beyond them. For this design – C188a741 - a large sundial is placed between the garden gates.

There is a rare work in this Foulis collection:   A whip at the mast. Edited by Rev. J. J. Macaulay, Hon. Chaplain R. N. V. R. (Clyde Division). The work was published with the imprint of Greenock: James McKelvie & Sons [1911]. The grey wrappers/dust jacket have yapp edges, with a mounted illustration by Jessie M. King on the front cover; acquired by de Beaumont in 1997 for £55. Searching online via Library Hub Discover shows only one other copy in the UK, in the National Library of Scotland shelf mark APS.1.82.53

 

The Cities series

Elfick and Harris list (p. 213) eleven titles in this series. Of these, de Beaumont acquired seven titles. Conspicuous are those books with evocative photogravures by Joseph Pennell.

Venice (C188a718). This copy was acquired in June 1968 from Frognal Bookshop. The frontispiece mounted illustration on the dust jacket is of: “The narrow canal”. The term used by T N Foulis for this type of binding was “Japanese vellum”.


C188a718 dust jacket               

                                                                       

                                                      C188a718 both covers and spine

New York (C188a720). On the upper cover of the dust jacket, there is an evocative illustration of New York skyscrapers, all lit up in darkness – this is a larger version of plate X: “Courtland Street Ferry”. Another copy of this illustration is mounted on the upper over of C188a721

 


C188a720 dust jacket 

                                               

                                                           C188a721 upper cover

 

A little book of London may have sold well; C188a723 has a London street scene blocked on the upper in black. This is repeated for C188a724, with the blocking in gold on the upper cover. The copy at C188a725 has a copy of plate XXII – The Monument, pasted onto the upper cover.

 

The volumes for Boston (C188a740), San Francisco (C188a727), Glasgow (C188a726) - all have dust jackets. The volume for Edinburgh C188a728 has grey paper wrappers.

A number of books had bindings described in advertisements of the day as ‘Japanese Vellum’. Examples are:

   

C188a741 design by Jessie M King                            C188a754a decoration kept fresh by dust jacket

Other books with  ‘Japanese vellum’ bindings are: C188a755; C188a756; C188a718; C188a721; C188a727.

There are some five books with velvet/ suede bindings. The lower covers of these have no blocking/ printing. The spine titles are in gilt. The upper covers are blocked fully.

   

C188a747 black blocking on upper cover                               C188a758 Aucassin & Nicolette

Other examples of velvet/ suede bindings are: C188a749; C188a758; C188a771.

Dust jackets: paper and glassine

There are a few dozen dust jackets accompanying books owned by de Beaumont. Many were of grey paper and most had some printing (author/ title or lists of other titles), plus a mounted illustration on the front cover. The glassine dust jackets were mostly plain, with The Great New York (C188a720, shown above) being an exception.

         

C188a757 printed with mounted illustration                C188a770 glassine no printing…

Maxims of Life Series

The artist Frederick Carter designed the cover decoration for number 1 and 2 in the series. The simplicity of the colours is striking, as are the larger than life depictions of Napoleon and Madame de Sevigne.


       


On occasion, biographies elicited striking portraits for the covers. Joseph Simpson provided a strong profile portrait for Haldane Macall’s Irving.   Emily Handasyde Buchanan’s Sir Walter Scott & his Country has Scott looking to his right.

   

               C188a730 both covers                                        C188a752 both covers

 Envelope books

Elfick and Harris list seventeen works in the ‘envelope books’ series. Of these, de Beaumont acquired four. He acquired number two, Browning, Rhyme of the Duchess May in February 1968 for 8/6d (C188a738). Thirty-eight years later, September 2006, he acquired number nine, Tennyson, Lady of Shalott, for £20 (C188a794).  Number three, Keats, Isabella or the pot of Basil, has both the the dust jacket and the original covers complete with the gummed lower edge of the dust jacket, used for sealing and posting (C188a787). 

  

C188a787 dust jacket, envelope flap and upper cover             C188a787 gummed lower flap of jacket

Envelope book number five was the work:  Aucassin et Nicolette. It has a silk binding of ‘japanese’ style (C188a758). This is the only book in this collection with this ‘frame’ style, and the mounted illustration on the upper cover sits rather awkwardly on the design.


                                                    C188a758 both covers and spine

Conclusion

For some twenty-five years after 1900, T N Foulis produced over four hundred works, of which some ninety were collected y Robin de Beaumont. Distinctiveness sums up this activity. There was a great variety of illustrations, of covers and dust jackets, and a large number of series, into which the output could be placed. All combine to leave a lasting impression of a company determined to produce originality, at affordable prices. Robin de Beaumont used his discernment to build up a representative number of these works for us to enjoy.

Edmund M B King

St Albans

September 2025

 

 

Further reading

Ian Elfick and Paul Harris, T.N. Foulis. The History and Bibliography of an Edinburgh Publishing House. London: Werner Shaw Ltd, 1998.

TN Foulis https://en.wikipedia.org/wiki/T._N._Foulis

Godburn, Mark R. Nineteenth Century Dust Jackets. Pinner: Private Libraries Association, 2016.

Jonkers Rare Books https://www.jonkers.co.uk/blog/the-envelope-booklets-of-t-n-foulis

Wednesday, 27 August 2025

Emile Souvestre translated by Elizabeth Strachey

 

Emile Souvestre translated by Elizabeth Strachey

When cataloguing some of the books owned by Robin de Beaumont, in morocco bindings, a copy of Oliver Goldmsith’s The Traveller came up for cataloguing (BL C188a812). This has a fine binding. Tipped in at the rear of this was a long entry by David Block, of the work: Translations from the French of Emile Souvestre by Elizabeth Strachey. 2 vols, Privately Printed, 1856 (BL C109bb16). The work was Collected and Edited by her husband, Sir Edward Strachey.

Clearly the two volumes were intended as a memorial for her, as the verso of the title page of vol. I has: “E. S. Born, February 14, 1810. Married, August 27 1844. Died April 11, 1855.” On the page opposite, we have the dedication: “To the memory of her to whom these translations are chiefly due, while her hand, in them, as in all things else, was ever joined with that of her husband.” Emile Souvestre was a novelist, whose work was translated often in these years, and several English newspapers printed extracts. It seems most likely that the Strachey family paid for the printing and for the binding of the Translations… . The monogram “ES” was blocked on the centre of each cover, as was the lettering at the head and at the tail: “To the memory of Elizabeth Strachey” and “Coelum non animam”.

The British Library a purchased a copy of the Souvestre Translations… in 1974.  In the picture below, the upper covers are of The Traveller, left, and Translations…, vol I, right. As Block surmised, the binding of Translations… was done first, by Leighton Son & Hodge, as their ticket was on the lower pastedown of vol. I. The (brass) blocks were then re-used and the text of The Traveller bound in.

BL C188a812                                                     BL C109bb16

The monogram on the centre and the lettering head and tail were taken out, and replaced by other small decoration, as was the spine lettering. Block stated that The Traveller was issued in 1868, which, seems unlikely. This was because David Bogue had died in November 1856, and the company of William Kent had taken over the business by June 1857 (Wigan Examiner 12 June 1857, page 6, col. 5) It seems unlikely that the brasses for the cover and the spine would have been stored for some twelve years before their re-use. A probable year of publication of The Traveller is 1856 or 1857. The binding of the de Beaumont copy is in near mint condition. The covers of the two volume set of Translations… have faded with some wear to head and tail. It is most useful to have an example of how use and light damage adversely impact upon condition.  

If the cover decoration was cut into one brass block, one has to admire the delicacy of the lattice work on the sides and corners; also the filigree work within the central rectangle. The ‘oriental’ style of ornament was derived in part from Islamic art. This was fashionable at this time, particularly with the publication of Owen Jones Grammar of Ornament, 1856.  It is likely that more examples of the re-use of blocks exist. However, the brass dies were heavy, difficult to store and, as brass was expensive, melting them down to re-use for other designs was done, before they could be re-used in the manner shown by these two examples. Thes factors limit what is available for us to view today.

Edmund M B King

St Albans

August 2025

 

Further reading:

Jamieson, Eleanore. English embossed bindings 1825-1850. Cambridge: At the University Press, 1972

Wednesday, 1 January 2025

Paper wrappers in the Robin de Beaumont Collection

 

@01022025

Books with paper wrappers in the The Robin de Beaumont Collection

Robin de Beaumont was a pre-eminent collector and bookseller of Victorian books. He died in 2023 aged 97. Details of his life and collecting are available via the Sheila Markham interview https://www.sheila-markham.com/interviews/robin-de-beaumont.html

His collection of Victorian publications was one of the finest, as the condition of a book was paramount – always the copy in best condition was sought and retained, whilst copies in a lesser condition were sold. Books with provenance he frequently purchased. I had become familiar with some of the publishers’ bindings in his collection, having provided an essay and descriptive entries for the four hundred books that he gifted to the British Museum in 1994, entitled: “Prints, Provenance and decorated book covers. Cataloguing The British Museum Robin de Beaumont Collection.” https://victorianbookbindings.blogspot.com/2019 /

His family put up his collection for auction, via Bonhams. Consequently, an online sale of the collection was held on 31 January 2024. Purchases of Lots 188 (grouped together under the heading paper wrappers) and 189 (yellowbacks) at the online auction were acquired by the British Library, with generous support from the BL Collections Trust. The British Library decided to make images and descriptions for each of these books in these two lots, using Wikimedia Commons.

For each de Beaumont book entry, images were normally made of: the covers and the spine; the title page; the frontispiece, if present; the notes, the bookplate, endpapers and pastedowns. In the notes field of each Wikimedia entry, there a full description of the work, and its book covers. de Beaumont routinely wrote notes regarding where and when the book was purchased and price paid.

It is clear that he collected these cheaper books for many years. Some are in poor condition, probably meaning that other copies were not readily available for purchase. The examples of paper wrappers below attest the popularity of this form of illustration, printing of text and binding.

The context in which these books were made and published

Publisher’s titles or other advertisements often printed on the lower cover of books in Lots 188 and 189. The price of one shilling frequently appears on these books - some six pence today. This was quite a bit of money at the time. However, there were large numbers of books published in this period for a penny or two pence. The British Library book Penny Dreadfuls… The Barry Ono Collection (1998), together with a film of Barry Ono showing his collection (https://www.youtube.com/watch?v=rgS9Bq2E3ew    - and The Aldine Library “O’er Land and Sea” https://uk.pinterest.com/search/my_pins/?q=aldine%20library&rs=ac   -  these examples provide details of books published for a mass market. Additionally, publishers’ lists of their own books were very frequently printed on endpapers, pastedowns and lower covers (see: https://uk.pinterest.com/edmundking/victorian-publishers-titles/  )

Lot 188 consisted of ninety-seven books, bound in a variety of paper wrappers. (The British Library shelfmarks are C.188.a. 604 to C.188.a.701.) There is a summary essay of the books in lot 189 – yellowbacks - at: https://victorianbookbindings.blogspot.com/2024/12/

The Home Treasury (Lot 188)

Robin de Beaumont was interested in “The Home Treasury” series. The series was instigated by Sir Henry Cole, who used the pseudonym Felix Summerly. These books are rare and hard to find, particularly if the condition is good. He must have enjoyed the hunt for copies. The story is reprised in McLean, Ruari. Victorian book design and colour printing. 2nd edition. [London] Faber & Faber [1972], pp. 49-53. Another account is an article by Article by Geoffrey Summerfield. The Making of The Home Treasury https://muse.jhu.edu/pub/1/article/245987/pdf

The copies that de Beaumont acquired are:

C188a662. Peacock, Thomas Love. Sir Hornbrook; or, Childe Lancelot’s expedition. A grammatico-allegorical ballad. New edition. 1843. https://commons.wikimedia.org/wiki/File:C188a662_03.jpg

C188a676. Gammer Gurton’s Story Books. [Front cover:] A Rare Ballad of the Beggar’s Daughter. [1845] https://commons.wikimedia.org/wiki/File:C188a676_02.jpg

C188a606. Felix Summerly [pseud. i.e. Henry Cole] The Venerable History of Whittington and his cat. 1847 https://commons.wikimedia.org/wiki/File:C188a606_01.jpg

C188a700. The Veritable History of Whittington and his Cat. [Device of Felix Summerly on title page.] 1847. https://commons.wikimedia.org/wiki/File:C188a700_01.jpg  

C188a701. The Two Flies. A Moral Song. With illustrations by FVB. Sung to the Air, “Voulez-vous dancer.” 1847. https://commons.wikimedia.org/wiki/File:C188a701_01.jpg

 

Gowans & Gray (Lot188)

The books produced by Gowans & Gray group themselves; most have glassine dust jackets over paper wrappers. The upper cover of the dust jacket for each book has an illustration. There is an essay by Lionel Gossman, in the Victorian web, which gives details of this company’s publishing activities: https://victorianweb.org/history/scotland/17.html

Repertory Plays issued by this publisher were amongst the most numerous of the publications in paper wrappers collected by de Beaumont. A list of these is at Appendix A. The British Library received the majority of the Gowans and Gray Repertory Plays, via legal deposit. The shelfmark for this series is 11778pp1/1- There are some 157 plays in this series.






 Originally, the majority of the texts were bound into white paper wrappers, with glassine dust jackets covering the paper wrappers. On the upper cover of each jacket was a colour illustration. These plays in the British Library set were re-bound in the 1950s, with the illustrated upper cover of the dust jacket being retained and bound in at the rear of the new binding. The newer binding comprises a brown cloth lined spine with brown boards. Frequently, the spine of the original had black lettering giving the title  of the play; and this has been cut out from the original glassine dust jacket and pasted onto the cloth spine.

Other series by Gowans & Gray are listed as Appendix B.

Books with striking/ unusual designs (not Gowans & Gray) are at Appendix C.

Glassine – origin

From American Stationer, no. 984 (1 May 1894): “A new make of paper for wrapping books has just been brought out by Spalding & Hodge, of Drury Lane, the well-known paper makers under the title of “Glassine”. It is thin but strongly made, a semi-transparent kind of greaseproof and of course dampproof paper, admirably adapted for protecting the outer fold of books- whether on the publisher’s shelves or in the private library is purely a matter of taste. It is extremely useful, and as it is sufficiently transparent to admit of the title of the book being easily seen quite through it, popularity is sure to await it.” (quoted by Godburn, Nineteenth Century Dust Jackets (2016) p. 130.) 

Another early reference to glassine is from The Bookseller 5 August 1932, p.247ff. A. J. Hoppe “Book-Wrappers. A paper read to the Society of Bookmen.” Looking back to the early use of glassine, Hoppe states: “… [the publisher] A. & C. Black, in 1900, began to publish their delightful series of “Beautiful Books”. These had an artistic cover, the work of A. A. Turbayne, printed in two colours from blocks.”

All of the books in the Gowans & Gray Repertory Plays series, found in Lot 188, were issued in white paper wrappers, which were then overlaid with glassine dust jackets; each book had an illustration printed/blocked on the upper cover of the dust wrapper. Artists represented in this list are: Charles R. Dowell, Ethel Lewis, Alan G. MacNaughton, Ernest Archibald Taylor – the husband of Jessie M. King - George Whitelaw.   Below are some examples of the work of each artist. Despite their age, the colours have endured well; The artwork in inventive, and related to the content of each play’s text. They show us how original artwork could be created and printed, for low priced books of this kind.

The illustrations of these covers are all available, with detailed descriptions, in Wikimedia Commons at:

https://commons.wikimedia.org/wiki/Category:Formerly_Robin_de_Beaumont_Collection   

(alternatively, if you are already logged into Wikimedia Commons, then keying into the Wiki search box, the category:    Formerly Robin de Beaumont collection   enables all the books to be viewed together.)

Sample cover are: 


                                                                Ethel Lewis C188a625
          

                                                                 Ethel Lewis C188a628

                                                           Alan G MacNaughton C188a616 
             
Alan G MacNaughton C188a658

 


                                                               Ernest Archibald Taylor C188a627 
                  


                                                        Ernest Archibald Taylor C188a666

                                                            George Whitelaw C188a620

Appendix A  List of Gowans Repertory Plays  acquired by Robin de Beaumont

Gowans & Gray published these books as the series Repertory Plays, with glassine dust jackets. (This list is in order of R. P. number). The date of publication is not necessarily the date of first issue, as there were many reprints/ re-issues of individual plays. Robin de Beaumont managed to acquire twenty books in the Repertory Plays series. To call up the full details of each play, enter the BL shelf mark into the Wiki Commons search box.

One gets a glimpse of what de Beaumont could not/ did not collect by looking at some of the variety of (glassine) dust jackets held at the Thomas Nelson Archive.


 

https://libraryblogs.is.ed.ac.uk/annexe/tag/repertory-plays/

Lists of the Repertory Plays were printed at the end of a volume, from time to time.

Calderon, George. The Fountain. A comedy in three acts. 1925. R. P. No. 2. C188a690.

Down, Oliphant. The Maker of Dreams. A fantasy in one act. After George Whitelaw. 1929. R. P. No. 8. C188a620.

Down, Oliphant. Bal Masque. A play in one act. After Ernest Archibald Taylor. 1924.R. P. No. 19. C188a627.

Forrest, Charles E. The shepherd. A one-act rural play. 1922. R. P. No. 23. C188a654.

Sladen-Smith, Francis. The man who wouldn’t go to heaven. 1929. R. P. No. 27. C188a629.

Grant, Neil Forbes. A valuable rival. A play in one act. 1922. R.P. No. 28. C188a626.

Brighouse, Harold. The happy hangman. A grotesque in one act. 1922. R. P. No. 29. C188a656.

Bell, John Joy. Thread O’ Scarlet. A play in one act. After Alan G MacNaughton. 1923. R. P. No. 35. C188a623.

Phillpotts, Adelaide Eden. Camillus and the Schoolmaster. A play in one act. 1923. R. P. No. 38 C188a666.

Cocker, William Dixon. The Wooin’ O’t. A comedy in one act. 1925. R. P. No. 43. C188a624.

Cropper, Margaret. The water-woman. A play. 1926. R. P. No. 51. C188a630.

Rae, Katharine T. The ambition of Annabella Stordie. A problem play in one act. After Charles R. Dowell. 1927. R. P. No. 59. C188a621.

Lawrence, Charles Edward. Home. A play in one act. 1932. R. P. No. 83. C188a664.

Sladen-Smith, Francis. The Sacred Cat. A diversion in one act. 1928. After Alan G. MacNaughton. R. P. No. 85. C188a658.

Douglas, Ian. Emigration at first sight. A play in one act. 1930. R. P. No. 105. C188a622.

Darmady E. S. A trunk-call. A dramatic sketch in one act.1933. R. P. No. 110. C188.a.618.

Kelly, John Donald. Queer Street. A comedy in one act. 1927. R. P. No. 120.  C188a617.

White, Leonard. Reforming a burglar. A comedy in one act. After Ethel Lewis. R. P. No. 136. C188a628.

Grant, Neil. The centre-forward. After Alan G MacNaughton. 1932. R. P. No. 139. C188a616.     

Stewart, Hal Douglas. The blind eye. Another historical impertinence in one act. After Ethel Lewis [1932]. R. P. No. 142. C188a625.

Sladen-Smith, Francis.  An Assyrian afternoon. 1933. R. P. No. 148. C188a677.

Appendix B

Other series 

Gowans Nature Books

Berridge, Walter Sidney. Birds at the zoo. Second series. 1914. Gowans Nature Books No. 27. C188a632.

Gowans Plays for Children

Jewson, Edith M. Rosemary’s Garden. A fairy mystery play in three acts to be played by children for grown-up people. 1921. Plays for Children. No. 2. C188a619.

Gandy, Ida. The fairy fruit. A play for children. 1927. After Jessie M. King. Plays for Children No. 8. C188c615.

Cadogan Booklets

Goldsmith, Oliver. The Deserted Village and other poems. 1907. Cadogan Booklets No. 11. C188a637. 

Gowan’ s International Library

Budge, Ernest Alfred Wallis, Sir. Egyptian Fairy Tales. Told in English by Sir E. A. Wallis Budge. Keeper of Egyptian and Assyrian Antiquities in the British Museum. 1923. After Alan G MacNaughton. Gowans International Library No. 48. Bound at the end is a list of ‘Gowan’s International Library, nos. 1-50, Neatly Printed on Pretty Parchment Covers. Price 1s. net per volume.’ C188a657.

Gowan’s Nature Books

Wild Flowers at Home. Third series. Sixty photographs by Somerville Hastings, of British Plants growing in their haunts. 1908. Gowan’s Nature Books. No. 9. C188a653.

Berridge, Walter Sidney. Birds at the zoo. Second series. 1914. Gowan’s Nature Books. No. 27. C188a652.

Calderon, George. The Fountain. 1925. R. P. No. 2. C188a690.

Gowan’s “Hundred Best” Series.

Phillimore, John Swinnerton. The hundred best Latin hymns.1926. C188a688. 

Appendix C

Unusual books/ Curiosities

When working on these books, to provide images and detailed descriptions, some of the images below are a personal selection of striking illustrations; or, of unusual format.


            The language of the eye. Female  Beauty and General Character…  1856.  C188a605


                                            Rimmel’s 1862 Almanack. C188a613. Rich colours


   

The Sooty Side. [ca. 1900] C188a631. Advertisement booklet for The Ramoneur Company – Chimney Sweeps.


                        Visible arithmetic Multiplication Tale. 1856. C188a640. Printed on cloth


The ambition of Annabelle Stordie. 1927. C188a621. After Charles R. Dowell. Silhouettes of the protagonists created through contrast between the cream/ yellow of the glassine and the black of the print.


                                                Picture letters (for children). 1864. C188a643

 

 


North British Insurance Society Almanack. 1862. C188a655. Probably commonplace at the time of publication; now rare.

 


Wedding gloves – dozen pair. 1855. Illustrated by “Phiz” [Hablot Knight Browne], who illustrated books by Charles Dickens. C188a673


Advertisement for C. Laight & Co. Needle Fish Hook & Tackle Manufactory. 1871. C188a599


Guide to St Andrews. [1859].  C188a674. Colour printing. Fashionable mediaeval decoration and lettering.

 


Longfellow. Ballads, 1845. C188a687 Colour Printed in the USA.



                                    Science in a nutshell. 1882. Yellowback. C188a600. 

Edmund M B King

St Albans

January 2025